Control the first and last frame—then let AI animate everything in between
Vidofy’s First to Last Frame tool is built for creators who want predictable outcomes: you provide a First Frame image, a Last Frame image, and a text Prompt (up to 2500 characters), and generate a video that bridges the two moments with a directed transition.
Inside the generator, you can select from multiple video models (including options such as Seedance 1.5 Pro, Kling 3.0, Kling O1, Kling O3, Pixverse V5, Veo 3.1, Vidu Q1, and Wan 2.1), upload your frames (JPG/JPEG/PNG/WEBP up to 10MB with a minimum 300×300 resolution), and optionally refine results with controls like aspect ratio (1:1, 3:4, 4:3, 9:16, 16:9), duration (5/8/10/15), resolution (720p/1080p), plus advanced inputs such as Seed and Negative Prompt.
For the cleanest “in-between,” treat your prompt like a director’s note: describe motion and camera (pan, dolly, orbit, slow push-in), keep the action physically plausible for your chosen duration, and reduce ambiguity by stating what should move vs. stay stable.
Lock the start. Lock the finish.
Upload a First Frame and Last Frame to define exactly where your shot begins and ends—then use a prompt to direct the motion between them.
Choose the right engine for the job
Select from multiple supported video models (including options such as Seedance 1.5 Pro, Kling 3.0, Kling O1, Kling O3, Pixverse V5, Veo 3.1, Vidu Q1, and Wan 2.1) to match the look and feel you’re aiming for.
Creator-friendly controls (including advanced options)
Fine-tune your output with practical settings like aspect ratio, duration, resolution, and advanced inputs such as Seed and Negative Prompt—so your transitions look intentional, not accidental.
Get Your Result in 3 Simple Steps
Follow these 3 simple steps to complete your task quickly.
Step 1: Add your first and last frames
Upload your First Frame and Last Frame images (supported formats include JPG/JPEG/PNG/WEBP up to 10MB, minimum 300×300).
Step 2: Pick your model + settings
Select a model, then choose your aspect ratio, duration (5/8/10/15), resolution (720p/1080p), and optional advanced inputs like Seed and Negative Prompt.
Step 3: Write a motion prompt and generate
Use the Prompt box (up to 2500 characters) to describe camera movement, subject action, and the transition—then click Generate.
Frequently Asked Questions
Is Vidofy free to use for First to Last Frame?
Vidofy offers a free tier so you can explore features before upgrading; free plan users may see a watermark on generated media, which can be removed by upgrading to a paid plan.
Can I use the generated videos commercially?
Commercial use is permitted for paid subscribers; if you need guaranteed commercial usage rights, confirm your plan status before publishing client or ad work.
What files and limits does First to Last Frame support?
You’ll upload two images—First Frame and Last Frame—using JPG/JPEG/PNG/WEBP (up to 10MB each, minimum 300×300), and you can write a Prompt up to 2500 characters.
What output settings can I choose (aspect ratio, duration, resolution)?
You can choose aspect ratio (1:1, 3:4, 4:3, 9:16, 16:9), duration (5/8/10/15), and resolution (720p or 1080p), depending on your selected model and workflow.
What do Seed and Negative Prompt do?
First to Last Frame includes advanced inputs such as Seed and Negative Prompt to help you iterate and reduce unwanted artifacts. In diffusion-style generation, using the same seed with the same settings helps reproduce results for controlled variations, and negative prompts are commonly used to specify what the model should avoid (for example, distortions or extra limbs).
How do I get smoother transitions between the first and last frame?
Use clean, high-quality frames with a consistent style, then write a motion-first prompt that clearly describes camera movement and what changes over time—avoid stacking too many actions into a very short clip. If your goal is to “match the endpoints,” start/end frames (keyframes) are a best-practice approach—especially for before/after stories, intentional morphs, and cinematic bridges—because they anchor the shot’s opening and closing composition.